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19: Scoreheads Presents Hildur Guðnadóttir on the music of 'A Haunting In Venice'

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Manage episode 378487650 series 3455081
Contenuto fornito da We're Gonna Need A Bigger Pod!. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da We're Gonna Need A Bigger Pod! o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Jon Brown & Sean Wilson are back on the case, as they search for clues in their investigation to find out the secrets of the wonderful Hildur Guðnadóttir's score for Kenneth Branagh's latest outing as Poirot in front of the camera and once again as director behind the camera for the Agatha Christie inspired 'A Haunting In Venice'.
Join the lads on this latest edition of the Podcast that celebrates Film, TV and Video Game music and the creators thereof, by sitting down with the many maestro’s involved industry wide to hear their stories about making the notes that emote.
Hildur is a multi award winning Icelandic musician and composer who has garnered praise for her work scoring cinematic films such as 'Sicario: Day Of The Soldado', Todd Field’s critically acclaimed film ‘Tar’, Sarah Polley’s exceptional picture ‘Women Talking’ and Todd Phillips’ outstanding DC Comics movie ‘Joker’ for which her superb score won her the trifecta - a Golden Globe, a BAFTA and an Oscar.
She’s also no stranger to home entertainment having garnered much deserved praise and awards for her craft in the creation of the score to hit series ‘Chernobyl’ and has even expertly tackled the soundscapes of the video game realm with her husband Sam Slater on the game ‘Battlefield 2042.
Lately, asides from working on the much anticipated follow up to 'Joker' for director Todd Phillips of course, she’s been working, as we mentioned before, with director Kenneth Branagh composing the score for ‘A Haunting In Venice’ which is the latest entry into his film adaptations as director and star of the great work of the late Agatha Christie.
Sean and Jon caught up with the magnificent Hildur to talk more about her creative process and on scoring the sound of Poirot's World….
Written, Presented & Recorded By: Jon Brown & Sean Wilson
Interview: Sean Wilson & Jon Brown
Edited & Mixed By: Jon Brown
Cover Art Design: Jon Brown
Cover Imaging Copyright: Hildur Guðnadóttir, White Bear PR, 20th Century Studios, Hollywood Records, WDMPS, Disney UK, Disney Music Group
Executive Producers: Sean Wilson, Jon Brown & Paul Marsh
Distributed By: Michael Marsh Productions
Special Thanks: Hildur Guðnadóttir, Thomas Mikusz, Kyrie Hood, Sarah Roche, Sean Wilson, Paul Marsh, Lily Parke, Disney UK, 20th Century Studios, Hollywood Records, Disney Music Group, White Bear PR, EPK, Vue Cinemas Gunwharf Quays and Miles, Ian, Darren, Harrison and all at Express FM Studios.
How about that mustache hey...
  continue reading

36 episodi

Artwork
iconCondividi
 
Manage episode 378487650 series 3455081
Contenuto fornito da We're Gonna Need A Bigger Pod!. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da We're Gonna Need A Bigger Pod! o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Jon Brown & Sean Wilson are back on the case, as they search for clues in their investigation to find out the secrets of the wonderful Hildur Guðnadóttir's score for Kenneth Branagh's latest outing as Poirot in front of the camera and once again as director behind the camera for the Agatha Christie inspired 'A Haunting In Venice'.
Join the lads on this latest edition of the Podcast that celebrates Film, TV and Video Game music and the creators thereof, by sitting down with the many maestro’s involved industry wide to hear their stories about making the notes that emote.
Hildur is a multi award winning Icelandic musician and composer who has garnered praise for her work scoring cinematic films such as 'Sicario: Day Of The Soldado', Todd Field’s critically acclaimed film ‘Tar’, Sarah Polley’s exceptional picture ‘Women Talking’ and Todd Phillips’ outstanding DC Comics movie ‘Joker’ for which her superb score won her the trifecta - a Golden Globe, a BAFTA and an Oscar.
She’s also no stranger to home entertainment having garnered much deserved praise and awards for her craft in the creation of the score to hit series ‘Chernobyl’ and has even expertly tackled the soundscapes of the video game realm with her husband Sam Slater on the game ‘Battlefield 2042.
Lately, asides from working on the much anticipated follow up to 'Joker' for director Todd Phillips of course, she’s been working, as we mentioned before, with director Kenneth Branagh composing the score for ‘A Haunting In Venice’ which is the latest entry into his film adaptations as director and star of the great work of the late Agatha Christie.
Sean and Jon caught up with the magnificent Hildur to talk more about her creative process and on scoring the sound of Poirot's World….
Written, Presented & Recorded By: Jon Brown & Sean Wilson
Interview: Sean Wilson & Jon Brown
Edited & Mixed By: Jon Brown
Cover Art Design: Jon Brown
Cover Imaging Copyright: Hildur Guðnadóttir, White Bear PR, 20th Century Studios, Hollywood Records, WDMPS, Disney UK, Disney Music Group
Executive Producers: Sean Wilson, Jon Brown & Paul Marsh
Distributed By: Michael Marsh Productions
Special Thanks: Hildur Guðnadóttir, Thomas Mikusz, Kyrie Hood, Sarah Roche, Sean Wilson, Paul Marsh, Lily Parke, Disney UK, 20th Century Studios, Hollywood Records, Disney Music Group, White Bear PR, EPK, Vue Cinemas Gunwharf Quays and Miles, Ian, Darren, Harrison and all at Express FM Studios.
How about that mustache hey...
  continue reading

36 episodi

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