Chunky is a casual conversation between best friends about contemporary film, its antecedents, and their relationship to the Zeitgeist. Mitchell Cravens is your host, and Francesco Pascuzzi is your film expert. Most films that we discuss also have been reviewed by Francesco or Mitch at http://thevisualtext.com. So check us out!
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This is a horror podcast now, apparently.Di Francesco Pascuzzi, Mitchell Cravens
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Di Francesco Pascuzzi, Mitchell Cravens
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Drag Me To Hell
1:03:07
1:03:07
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1:03:07
Mitch and Cesco review Drag Me To Hell (Raimi, 2009)Di Francesco Pascuzzi, Mitchell Cravens, Eric Revilla
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Pet Sematary
1:00:27
1:00:27
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1:00:27
Pet Semetary could have been so much more. Eric is back to discuss this remake of his FAVORITE BOOK EVER. https://thevisualtext.comDi Francesco Pascuzzi, Mitchell Cravens, Eric Revilla
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We didn't like Us. And it's real fun when we shit on stuff. https://thevisualtext.comDi Eric Revilla, Francesco Pascuzzi, Mitch Cravens
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Oscars, Smoshcars
1:13:44
1:13:44
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1:13:44
We review the Oscars. The first half was wonderful - we're really happy for the historic number of woman and POC winners. The second half - the fucking poop emoji. https://thevisualtext.comDi Francesco Pascuzzi, Mitchell Cravens
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Cold War (Zimna wojna) is a 2018 Polish film by Pawel Pawlikowski that probably should win best foreign film. We'll see. https://thevisualtext.comDi Francesco Pascuzzi, Mitchell Cravens
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The Guilty
1:01:22
1:01:22
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1:01:22
The Guilty (Den skyldige) is a 2018 Danish film by Gustav Möller that got snubbed for an Oscar nom. We discuss. https://thevisualtext.comDi Francesco Pascuzzi, Mitchell Cravens
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We had mixed feelings on Roma. It's an interesting social commentary that comes off as a bit impersonal and objective. https://thevisualtext.comDi Eric Revilla, Francesco Pascuzzi, Mitch Cravens
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The Favourite
1:06:25
1:06:25
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1:06:25
The Favourite was fun, and for once we had slightly differing views about it! What a concept. https://thevisualtext.comDi Eric Revilla, Francesco Pascuzzi, Mitch Cravens
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Green Book Solved Racism
1:06:58
1:06:58
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1:06:58
Green Book was yet another film about racism directed by a white person. Because we need more of those. https://thevisualtext.comDi Francesco Pascuzzi, Mitchell Cravens, Eric Revilla
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Burnin' Up
1:05:27
1:05:27
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1:05:27
Burning was our favorite film this year by a lot. We gush. https://thevisualtext.comDi Francesco Pascuzzi, Mitchell Cravens, Eric Revilla
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More Rampant Speculation
1:21:59
1:21:59
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1:21:59
More rampant speculation about the Oscars from the For Your Speculation podcast ft. our boy Chonké. https://thevisualtext.comDi Francesco Pascuzzi
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The episode title says it all. A Star Is Born was not our fave. https://thevisualtext.comDi Francesco Pascuzzi, Mitchell Cravens, Eric Revilla
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Let's Speculate
1:24:31
1:24:31
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1:24:31
Chunky and the folks at For Your Speculation discuss the current state of the oscar race! https://thevisualtext.comDi Francesco Pascuzzi
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The Wife was fucking wonderful. We gush. https://thevisualtext.comDi Francesco Pascuzzi, Mitchell Cravens, Eric Revilla
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https://thevisualtext.com!Di Francesco Pascuzzi, Mitchell Cravens, Eric Revilla
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Hereditary was messed up and we loved it! We break down a wonderful performance from Toni Collette and explore some horror tropes along the way. https://thevisualtext.com The Visual Text is looking for guests! Come on and talk about your favorite film, or contribute to one of our upcoming episodes: The Cabin in the Woods It Follows Thanks!…
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Love, Simon was important to us and a lot of other people. We discuss. Note from Mitch: Thank you to our producer, Eric Revilla, for making me sound significantly less cross-faded than I was at the time. Will try to avoid this in the future. https://thevisualtext.comDi Eric Revilla, Mitchell Cravens, Francesco Pascuzzi
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We did Arrival because the Shape of Water can fuck off. XOXO Denis Villeneuve && XOXO Amy Adamssss. Oh and RIP Abbott; Abbott is death process. https://thevisualtext.comDi Eric Revilla, Francesco Pascuzzi, Mitchell Cravens
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Call Me Mitchy (HI THANKS ERIC YOUDA FREAKIN BEST)
1:02:08
1:02:08
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1:02:08
Call Me By Your Name is our jam. Oh, and Eric Revilla is a god. I was apparently giving my microphone a blowjob this entire episode and my audio was garbage, and whatdya know Eric provided his magic wand and POOF we don't have to redo the episode. So fucking great. https://thevisualtext.comDi Eric Revilla, Francesco Pascuzzi, Mitchell Cravens
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The Darkest Hour (In The History of Awards Shows)
1:30:04
1:30:04
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1:30:04
Yeahhh, we didn't like the Oscars much. https://thevisualtext.comDi Francesco Pascuzzi, Mitchell Cravens
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We give a much-overdue review of Coco. God it was increíble.Di Francesco Pascuzzi, Mitchell Cravens
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90th Annual Academy Award Predictions (FINAL)
2:11:29
2:11:29
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2:11:29
From the For Your Speculation podcast: "Ted hosts a final roundtable podcast with most of our previous guests, Cesco, Erik, Topher, Rob and Matt, while we salute Rachel for taking it to the streets for the Women's March. Join us as we give our final predictions for this year's Oscars. Lots of tight races for the final spot in each category leads to…
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The Cravens bros are back for a Star Wars special. https://thevisualtext.comDi Matthew Cravens, Mitchell Cravens
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Premature Prognostication
1:29:27
1:29:27
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1:29:27
Francesco joins the for your speculation podcast to break down the Oscar race in the main eight categories. https://thevisualtext.com http://foryourspeculation.libsyn.comDi Francesco Pascuzzi, Mitchell Cravens
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IT is Loooooong Overdue
1:15:50
1:15:50
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1:15:50
We recorded our IT pod fucking forever ago, but the audio got corrupted and I had no idea how to fix it. Hardcore props to Eric Revilla, our guest on this pod, who not only contributed some awesome analysis but also fixed the audio problems. Too bad there's not a life system that gives you cash-value points for kicking ass. https://thevisualtext.co…
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Ladybird was really good! We discuss its comedic chops, its originality as a genre film, and its (and our) observations on finding common ground with your parents.Di Francesco Pascuzzi, Mitchell Cravens
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Sequels, sequels, sequels! This is from a while back, Mitch forgot to see Kingsman and Jeepers Creepers 3 and Francesco had some things to say about them. Aaaand then Mitch had some stuff to say about other sequels. I am a mess. https://thevisualtext.comDi Francesco Pascuzzi, Mitchell Cravens
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The Comedy Brothers
1:10:06
1:10:06
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1:10:06
A coupla' bros talk about offbeat comedies, namely Little Miss Sunshine and Hot Fuzz. #brosesh If you could subscribe to our podcast and/or rate it, that would be awesome - it's available on iTunes, Google Play, and thevisualtext.com/podcast. We also have a blog at said site, thevisualtext.com, in which Francesco (and soon I) break down even furthe…
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Hello, Mother!
1:06:14
1:06:14
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1:06:14
OMG, Mother! was weird but kind of amazing. We break down the film and try to give some guidance on how to deal with challenging and/or abstract films in general. YAY FOR INFANTICIDE! If you could subscribe to our podcast and/or rate it, that would be awesome - it's available on iTunes, Google Play, and thevisualtext.com/podcast. We also have a blo…
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ATOMIC LESBIAN SEX
1:03:01
1:03:01
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OMG THE HOT LESBIAN SEX IN ATOMIC BLONDE WAS SO HOT. (No, not really, and it was kinda problematic...we discuss.) We also get into straight stars playing queer characters and bad films with great scenes. If you could subscribe to our podcast and/or rate it, that would be awesome - it's available on iTunes, Google Play, and thevisualtext.com/podcast…
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Dunkirk
1:07:00
1:07:00
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1:07:00
Di Francesco Pascuzzi, Mitchell Cravens
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Di Francesco Pascuzzi, Mitchell Cravens
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Di Francesco Pascuzzi, Mitchell Cravens
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A Sofia Coppola-Out
1:00:50
1:00:50
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We discuss the good, the bad, and the ugly of Sofia Coppola's work. We'll take a close look at her latest work, The Beguiled, which is out in theaters now starring Nicole Kidman, and compare it to an earlier film of hers, Lost In Translation. If you could subscribe to our podcast, that would be awesome - it's available on iTunes, Google Play, and h…
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It's time for.....CHUNKY! In this episode we introduce our wonderful selves and talk a lot about It Comes at Night (2017, Shults) and what it means in today's America. We also tack on a bit about Wonder Woman and what's important about it and what's not. Be sure to check out Francesco's review of It Comes At Night at our (but mostly his) film blog …
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