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Contenuto fornito da Nicholas Buc, Andrew Pogson, and Dan Golding. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Nicholas Buc, Andrew Pogson, and Dan Golding o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Episode 33: Arrival

 
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Contenuto fornito da Nicholas Buc, Andrew Pogson, and Dan Golding. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Nicholas Buc, Andrew Pogson, and Dan Golding o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
It’s finally time for Episode 33, and Art of the Score’s analysis of one of the landmark composers of the last decade: Jóhann Jóhannsson. We sit down with special guest, synth (and tape loop) expert Seja Vogel, and Jóhannsson’s soundtrack for Denis Villeneuve’s masterpiece sci fi film, Arrival. Join us for heptapods, looping seals (?), and the only true universal language: film music. Episode notes: 4:41 – Arrival arrives, and Jóhannsson thrives 12:47 – Around the Clock News 15:43 – Arriving in Montana 21:49 – Seja breaks down the Arrival sound 30:05 – Looping with Seja 34:45 – First Encounter 39:12 – Sapir-Whorf 43:00 – Hazmat 49:42 – Heptapod B 58:56 – Non-Zero-Sum Game 1:02:21 – Deciphering 1:06:26 – One of Twelve 1:12:22 – Rise, and Max Richter’s On The Nature of Daylight We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
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36 episodi

Artwork

Episode 33: Arrival

Art of the Score

2,380 subscribers

published

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Fetch error

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Manage episode 280737957 series 1383295
Contenuto fornito da Nicholas Buc, Andrew Pogson, and Dan Golding. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Nicholas Buc, Andrew Pogson, and Dan Golding o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
It’s finally time for Episode 33, and Art of the Score’s analysis of one of the landmark composers of the last decade: Jóhann Jóhannsson. We sit down with special guest, synth (and tape loop) expert Seja Vogel, and Jóhannsson’s soundtrack for Denis Villeneuve’s masterpiece sci fi film, Arrival. Join us for heptapods, looping seals (?), and the only true universal language: film music. Episode notes: 4:41 – Arrival arrives, and Jóhannsson thrives 12:47 – Around the Clock News 15:43 – Arriving in Montana 21:49 – Seja breaks down the Arrival sound 30:05 – Looping with Seja 34:45 – First Encounter 39:12 – Sapir-Whorf 43:00 – Hazmat 49:42 – Heptapod B 58:56 – Non-Zero-Sum Game 1:02:21 – Deciphering 1:06:26 – One of Twelve 1:12:22 – Rise, and Max Richter’s On The Nature of Daylight We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
  continue reading

36 episodi

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