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Contenuto fornito da Cory Doctorow. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Cory Doctorow o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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The Internet’s Original Sin

 
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Manage episode 390019569 series 10452
Contenuto fornito da Cory Doctorow. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Cory Doctorow o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

A galactic-scale Pac-Man is eating a row of 'big blue marble' Earths. The Pac-Man has a copyright circle-c in his center. The starry sky behind the scene is intermingled with a 'code rain' effect from the credits of the Wachowskis' 'Matrix' movies.

This week on my podcast, I read my final Medium column
The internet’s original sin
, about the failure of trying to stretch copyright to cover every problem on the internet.

Copyright is a regulation. It regulates the supply-chain of the entertainment industry. Copyright matters a lot to me, because I’m in the industry.

But unless you’re in the industry, it shouldn’t matter to you.

It’s fine to require a grasp of copyright among people who write, publish and distribute novels — but it’s bananas to require people who read novels to understand copyright.

And yet, here we are.

The test for whether copyright applies to you — for whether you are part of the entertainment industry’s supply chain — is whether you are making or dealing in copies of creative works. This test was once a very good one.

Back when every book had a printing press in its history, every record a record-pressing plant, every film a film-lab, “making or handling copies of creative works” was a pretty good test to determine whether someone was part of the entertainment industry. Even if it turned out they weren’t, the kind of person who has a record-pressing plant can afford to consult an expert to make sure they’re on the right side of the law.

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281 episodi

Artwork
iconCondividi
 
Manage episode 390019569 series 10452
Contenuto fornito da Cory Doctorow. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Cory Doctorow o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

A galactic-scale Pac-Man is eating a row of 'big blue marble' Earths. The Pac-Man has a copyright circle-c in his center. The starry sky behind the scene is intermingled with a 'code rain' effect from the credits of the Wachowskis' 'Matrix' movies.

This week on my podcast, I read my final Medium column
The internet’s original sin
, about the failure of trying to stretch copyright to cover every problem on the internet.

Copyright is a regulation. It regulates the supply-chain of the entertainment industry. Copyright matters a lot to me, because I’m in the industry.

But unless you’re in the industry, it shouldn’t matter to you.

It’s fine to require a grasp of copyright among people who write, publish and distribute novels — but it’s bananas to require people who read novels to understand copyright.

And yet, here we are.

The test for whether copyright applies to you — for whether you are part of the entertainment industry’s supply chain — is whether you are making or dealing in copies of creative works. This test was once a very good one.

Back when every book had a printing press in its history, every record a record-pressing plant, every film a film-lab, “making or handling copies of creative works” was a pretty good test to determine whether someone was part of the entertainment industry. Even if it turned out they weren’t, the kind of person who has a record-pressing plant can afford to consult an expert to make sure they’re on the right side of the law.

MP3

  continue reading

281 episodi

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