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Contenuto fornito da Azsaneé Truss and OreOluwa Badaki, Azsaneé Truss, and OreOluwa Badaki. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Azsaneé Truss and OreOluwa Badaki, Azsaneé Truss, and OreOluwa Badaki o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Improvisation as Tradition and Technology

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Manage episode 424737450 series 3568416
Contenuto fornito da Azsaneé Truss and OreOluwa Badaki, Azsaneé Truss, and OreOluwa Badaki. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Azsaneé Truss and OreOluwa Badaki, Azsaneé Truss, and OreOluwa Badaki o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

What does West African dance have to do with fractal codes, hormetic healing, and technological innovation? Dr. S Ama Wray unpacks these connections and more on this episode of Groovin' Griot.

Dr. Wray shares how her early experiences with modern, jazz, and Afro-Cuban dance peaked her interest in improvisational forms, and how her work on the Ewe concept of Seselelame in Ghana helped her develop a practice of "Embodiology" that utilizes improvisational movement to support collective wellbeing and dexterity.

And for our movement break, Ore and Azs take you along for a Rhythm and Improvisation Dance class!

See Episode Resources (also https://tinyurl.com/GroovinResources) for more on Dr. Wray's work and for the article about the Kopeyia School visit mentioned in the episode.

See Episode Transcript

Produced & Edited by OreOluwa Badaki and Azsaneé Truss with support from the Digital Futures Institute at Teachers College, Columbia University.

Theme music: Unrest by ELPHNT on Directory.Audio

Licensed under a creative commons attribution 3.0 license. https://creativecommons.org/licenses/by/3.0/

Email us at groovingriot@gmail.com and follow us on Instagram @groovingriot

  continue reading

7 episodi

Artwork
iconCondividi
 
Manage episode 424737450 series 3568416
Contenuto fornito da Azsaneé Truss and OreOluwa Badaki, Azsaneé Truss, and OreOluwa Badaki. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Azsaneé Truss and OreOluwa Badaki, Azsaneé Truss, and OreOluwa Badaki o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

What does West African dance have to do with fractal codes, hormetic healing, and technological innovation? Dr. S Ama Wray unpacks these connections and more on this episode of Groovin' Griot.

Dr. Wray shares how her early experiences with modern, jazz, and Afro-Cuban dance peaked her interest in improvisational forms, and how her work on the Ewe concept of Seselelame in Ghana helped her develop a practice of "Embodiology" that utilizes improvisational movement to support collective wellbeing and dexterity.

And for our movement break, Ore and Azs take you along for a Rhythm and Improvisation Dance class!

See Episode Resources (also https://tinyurl.com/GroovinResources) for more on Dr. Wray's work and for the article about the Kopeyia School visit mentioned in the episode.

See Episode Transcript

Produced & Edited by OreOluwa Badaki and Azsaneé Truss with support from the Digital Futures Institute at Teachers College, Columbia University.

Theme music: Unrest by ELPHNT on Directory.Audio

Licensed under a creative commons attribution 3.0 license. https://creativecommons.org/licenses/by/3.0/

Email us at groovingriot@gmail.com and follow us on Instagram @groovingriot

  continue reading

7 episodi

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