In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenuto fornito da Pete Chatmon. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Pete Chatmon o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Episode 37: Seven Tips For Blocking Scenes In Television
Manage episode 322880785 series 2916489
Contenuto fornito da Pete Chatmon. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Pete Chatmon o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
On this special craft episode, Pete highlights the importance of “blocking” when shooting scenes for television. Pete talks in depth about understanding which character has the most important entrance, identifying which angle provides the most meaningful coverage for the characters, how blocking can help communicate the subtext of a scene, doing your research on a show’s “typical” style, and more…
SHOW NOTES:
(00:00:00- 00:03:30) -- Pete's Intro
(00:03:30- 00:05:35) — What Separates A “Good” Director From A “Great” Director?
(00:05:35- 00:08:45) — Knowing What Projects To Pursue
(00:08:45- 00:10:15) — Directing A TV Show vs Film
(00:10:15- 00:12:20) — Prep, Prep, Prep
(00:12:20- 00:16:20) — Utilizing Your Agents/Managers When Starting Out
(00:16:20- 00:17:45) — “Blocking” Definition…
(00:17:45- 00:19:25) — Which Direction Provides The Most Depth For Master Shot?
(00:19:25- 00:21:30) — Which Character Has The Most Important Entrance?
(00:21:30- 00:23:00) — Which Angle Provides The Most Coverage For The Characters?
(00:23:00- 00:29:30) — What Blocking Helps Communicate The Subtext Of A Scene?
(00:29:30- 00:30:30) — “Transitions: A Director's Journey And Motivational Handbook” Promo
(00:30:30- 00:31:45) — Blocking With The Least Amount Of Camera Angles
(00:31:45- 00:34:45) — How Does The Show Tend To Shoot Scenes Like This?
(00:34:45- 00:35:45) — How Important Is This Scene To The Episode?
(00:35:45- 00:37:50) — The 7 Questions To Consider When Blocking An Episode
(00:37:50- 00:37:00) — Pete’s Outro
*** Watch on YouTube: https://bit.ly/37iekw1
*** Get your Director's merch: https://www.drctr.video/
…
continue reading
SHOW NOTES:
(00:00:00- 00:03:30) -- Pete's Intro
(00:03:30- 00:05:35) — What Separates A “Good” Director From A “Great” Director?
(00:05:35- 00:08:45) — Knowing What Projects To Pursue
(00:08:45- 00:10:15) — Directing A TV Show vs Film
(00:10:15- 00:12:20) — Prep, Prep, Prep
(00:12:20- 00:16:20) — Utilizing Your Agents/Managers When Starting Out
(00:16:20- 00:17:45) — “Blocking” Definition…
(00:17:45- 00:19:25) — Which Direction Provides The Most Depth For Master Shot?
(00:19:25- 00:21:30) — Which Character Has The Most Important Entrance?
(00:21:30- 00:23:00) — Which Angle Provides The Most Coverage For The Characters?
(00:23:00- 00:29:30) — What Blocking Helps Communicate The Subtext Of A Scene?
(00:29:30- 00:30:30) — “Transitions: A Director's Journey And Motivational Handbook” Promo
(00:30:30- 00:31:45) — Blocking With The Least Amount Of Camera Angles
(00:31:45- 00:34:45) — How Does The Show Tend To Shoot Scenes Like This?
(00:34:45- 00:35:45) — How Important Is This Scene To The Episode?
(00:35:45- 00:37:50) — The 7 Questions To Consider When Blocking An Episode
(00:37:50- 00:37:00) — Pete’s Outro
*** Watch on YouTube: https://bit.ly/37iekw1
*** Get your Director's merch: https://www.drctr.video/
71 episodi
Manage episode 322880785 series 2916489
Contenuto fornito da Pete Chatmon. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Pete Chatmon o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
On this special craft episode, Pete highlights the importance of “blocking” when shooting scenes for television. Pete talks in depth about understanding which character has the most important entrance, identifying which angle provides the most meaningful coverage for the characters, how blocking can help communicate the subtext of a scene, doing your research on a show’s “typical” style, and more…
SHOW NOTES:
(00:00:00- 00:03:30) -- Pete's Intro
(00:03:30- 00:05:35) — What Separates A “Good” Director From A “Great” Director?
(00:05:35- 00:08:45) — Knowing What Projects To Pursue
(00:08:45- 00:10:15) — Directing A TV Show vs Film
(00:10:15- 00:12:20) — Prep, Prep, Prep
(00:12:20- 00:16:20) — Utilizing Your Agents/Managers When Starting Out
(00:16:20- 00:17:45) — “Blocking” Definition…
(00:17:45- 00:19:25) — Which Direction Provides The Most Depth For Master Shot?
(00:19:25- 00:21:30) — Which Character Has The Most Important Entrance?
(00:21:30- 00:23:00) — Which Angle Provides The Most Coverage For The Characters?
(00:23:00- 00:29:30) — What Blocking Helps Communicate The Subtext Of A Scene?
(00:29:30- 00:30:30) — “Transitions: A Director's Journey And Motivational Handbook” Promo
(00:30:30- 00:31:45) — Blocking With The Least Amount Of Camera Angles
(00:31:45- 00:34:45) — How Does The Show Tend To Shoot Scenes Like This?
(00:34:45- 00:35:45) — How Important Is This Scene To The Episode?
(00:35:45- 00:37:50) — The 7 Questions To Consider When Blocking An Episode
(00:37:50- 00:37:00) — Pete’s Outro
*** Watch on YouTube: https://bit.ly/37iekw1
*** Get your Director's merch: https://www.drctr.video/
…
continue reading
SHOW NOTES:
(00:00:00- 00:03:30) -- Pete's Intro
(00:03:30- 00:05:35) — What Separates A “Good” Director From A “Great” Director?
(00:05:35- 00:08:45) — Knowing What Projects To Pursue
(00:08:45- 00:10:15) — Directing A TV Show vs Film
(00:10:15- 00:12:20) — Prep, Prep, Prep
(00:12:20- 00:16:20) — Utilizing Your Agents/Managers When Starting Out
(00:16:20- 00:17:45) — “Blocking” Definition…
(00:17:45- 00:19:25) — Which Direction Provides The Most Depth For Master Shot?
(00:19:25- 00:21:30) — Which Character Has The Most Important Entrance?
(00:21:30- 00:23:00) — Which Angle Provides The Most Coverage For The Characters?
(00:23:00- 00:29:30) — What Blocking Helps Communicate The Subtext Of A Scene?
(00:29:30- 00:30:30) — “Transitions: A Director's Journey And Motivational Handbook” Promo
(00:30:30- 00:31:45) — Blocking With The Least Amount Of Camera Angles
(00:31:45- 00:34:45) — How Does The Show Tend To Shoot Scenes Like This?
(00:34:45- 00:35:45) — How Important Is This Scene To The Episode?
(00:35:45- 00:37:50) — The 7 Questions To Consider When Blocking An Episode
(00:37:50- 00:37:00) — Pete’s Outro
*** Watch on YouTube: https://bit.ly/37iekw1
*** Get your Director's merch: https://www.drctr.video/
71 episodi
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