Artwork

Contenuto fornito da Sarah Monk. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Sarah Monk o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Jacob Cartwright: Embrace

26:12
 
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Manage episode 267304575 series 2639010
Contenuto fornito da Sarah Monk. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Sarah Monk o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

See pictures and read more on materiallyspeaking.com

Born into an artistic family in Australia, Jacob has been living in Italy, on and off, since he was two-years-old. He began his musical training very young and brings these sensibilities to his art. All the music in this episode was composed by Jacob.

The Embrace series was inspired by a hug Jacob’s wife Jacqueline gave him. He explains that when his wife gave him a hug he saw a certain form. This form became a piece and this piece then developed into a series of work about the embrace. He also feels that his deep links with music played a part in influencing the outcome. He says, ‘It’s a beautiful subject matter because an embrace is a paradox: giving and receiving at the same time. It’s like two things at once and everything at once’.

Jacob loves carving wood and working to optimise its fibre and grain, discovering how it might split or break. He describes his love of the textures of wood and explains both the process of burning wood and using the burnt wood with oil to make a patina. Sometimes in making a sculpture he will cover whole sections of wood with nails.

Jacob usually worked with the aid of machinery but admits that he hasn’t yet made up his mind about whether or not to use a robot in future. When health and safety regulations around dust became an issue, Jacob decided to embrace a change within his studio and reverted to working marble by hand and avoid machinery altogether. He tells us how this meditative way of working influences his life.

jacobcartwright.com

instagram.com/jacobcartwrightartist

  continue reading

58 episodi

Artwork
iconCondividi
 
Manage episode 267304575 series 2639010
Contenuto fornito da Sarah Monk. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Sarah Monk o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

See pictures and read more on materiallyspeaking.com

Born into an artistic family in Australia, Jacob has been living in Italy, on and off, since he was two-years-old. He began his musical training very young and brings these sensibilities to his art. All the music in this episode was composed by Jacob.

The Embrace series was inspired by a hug Jacob’s wife Jacqueline gave him. He explains that when his wife gave him a hug he saw a certain form. This form became a piece and this piece then developed into a series of work about the embrace. He also feels that his deep links with music played a part in influencing the outcome. He says, ‘It’s a beautiful subject matter because an embrace is a paradox: giving and receiving at the same time. It’s like two things at once and everything at once’.

Jacob loves carving wood and working to optimise its fibre and grain, discovering how it might split or break. He describes his love of the textures of wood and explains both the process of burning wood and using the burnt wood with oil to make a patina. Sometimes in making a sculpture he will cover whole sections of wood with nails.

Jacob usually worked with the aid of machinery but admits that he hasn’t yet made up his mind about whether or not to use a robot in future. When health and safety regulations around dust became an issue, Jacob decided to embrace a change within his studio and reverted to working marble by hand and avoid machinery altogether. He tells us how this meditative way of working influences his life.

jacobcartwright.com

instagram.com/jacobcartwrightartist

  continue reading

58 episodi

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