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Intermission Ep. 12 - Two Shots Fired (with Ben Sachs)

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Manage episode 290567531 series 94809
Contenuto fornito da The Film Stage. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The Film Stage o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Welcome back to Intermission, a spin-off podcast from The Film Stage Show. Led by yours truly, Michael Snydel, I invite a guest to discuss an arthouse, foreign, or experimental film of their choice. For the twelfth episode, I talked to prolific Chicago critic Ben Sachs, an associate editor at Cine-File, about Martín Rejtman’s 2014 Argentine comedy Two Shots Fired (available along with the rest of Rejman’s fiction work on MUBI). A wryly absurd, deceptively simple portrait of weathering middle class discontentment, Rejtman’s film traces the undulations of a family and their friends/acquaintances after a 16-year-old boy attempts suicide. He presents that event as little more than a darkly comedic non-sequitur (When asked why he did it, the boy says: “It was an impulse; it was very hot.”), a corollary into a series of vignettes about disconnection and spiritual fatigue. His sparely evocative sensibility can occasionally recall filmmakers like Jim Jarmusch and Aki Kaurismaki, but it’s more productive to contextualize him with his regional contemporaries and descendants. Releasing his first feature in 1992, Rejtman is viewed as one of the key figures of the New Argentine Cinema with filmmakers like Lucrecia Martel, Lisandro Alonso, and Pablo Trapero. Those filmmakers aren’t necessarily united by approach––a portion of this episode specifically compares Martel and Rejtman’s disparate approaches to class in The Headless Woman and Two Shots Fired––but Rejtman’s digressive narrative style and lightly ironic touch feels distinctly Argentine. Our conversation begins with a discussion about the film’s beguiling tone before segueing into theories about the film as a metaphor for the internet, Rejtman’s precision in portraying an almost nostalgic middle class, and Sachs' own nearly life-long admiration for Southern Cone comedy, and especially Argentine humor. Intermission episodes are shared exclusively with our Patreon community before being posted to The Film Stage Show's main feed. One can also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. Intermission is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.
  continue reading

364 episodi

Artwork
iconCondividi
 
Manage episode 290567531 series 94809
Contenuto fornito da The Film Stage. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da The Film Stage o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
Welcome back to Intermission, a spin-off podcast from The Film Stage Show. Led by yours truly, Michael Snydel, I invite a guest to discuss an arthouse, foreign, or experimental film of their choice. For the twelfth episode, I talked to prolific Chicago critic Ben Sachs, an associate editor at Cine-File, about Martín Rejtman’s 2014 Argentine comedy Two Shots Fired (available along with the rest of Rejman’s fiction work on MUBI). A wryly absurd, deceptively simple portrait of weathering middle class discontentment, Rejtman’s film traces the undulations of a family and their friends/acquaintances after a 16-year-old boy attempts suicide. He presents that event as little more than a darkly comedic non-sequitur (When asked why he did it, the boy says: “It was an impulse; it was very hot.”), a corollary into a series of vignettes about disconnection and spiritual fatigue. His sparely evocative sensibility can occasionally recall filmmakers like Jim Jarmusch and Aki Kaurismaki, but it’s more productive to contextualize him with his regional contemporaries and descendants. Releasing his first feature in 1992, Rejtman is viewed as one of the key figures of the New Argentine Cinema with filmmakers like Lucrecia Martel, Lisandro Alonso, and Pablo Trapero. Those filmmakers aren’t necessarily united by approach––a portion of this episode specifically compares Martel and Rejtman’s disparate approaches to class in The Headless Woman and Two Shots Fired––but Rejtman’s digressive narrative style and lightly ironic touch feels distinctly Argentine. Our conversation begins with a discussion about the film’s beguiling tone before segueing into theories about the film as a metaphor for the internet, Rejtman’s precision in portraying an almost nostalgic middle class, and Sachs' own nearly life-long admiration for Southern Cone comedy, and especially Argentine humor. Intermission episodes are shared exclusively with our Patreon community before being posted to The Film Stage Show's main feed. One can also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. For a limited time, all new Patreon supporters will receive a free Blu-ray/DVD. After becoming a contributor, e-mail podcast@thefilmstage.com for an up-to-date list of available films. Intermission is supported by MUBI, a curated streaming service showcasing exceptional films from around the globe. Every day, MUBI premieres a new film. Whether it's a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.
  continue reading

364 episodi

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