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Ep. 34: The Titian List, feat. Gee Cooper

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Contenuto fornito da Lawrence Gianangeli. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Lawrence Gianangeli o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

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With great pleasure, I welcome Gee Cooper back to the show to discuss the afterlife of Titian. Given his proliferation and international appeal, the works of Titian and his role as court painter had a ripple effect in courts throughout Europe. Among the most important figures is Charles I of England who looked to expand the Royal Collection after a visit to Spain where he saw Titian's poesie series and was permanently changed. The Titian List is the inventory of his works by Titian until his execution and the dispersal of his collection.
Charles I wanted a Titian of his own. He employed Antony Van Dyck as his court painter, who would emulate Titian, reproduce his works, and adjust his own style to the preference of the King.
In this conversation, we cover essential aspects of the poesie series in Spain to understand the impact that it had on Charles I. We then look at two types of Imperial portraiture to determine the direct influence of Titian's work in the seventeenth-century, not merely as items in an inventory, but as a highly praised style that infiltrated courtly painting.
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Capitoli

1. Ep. 34: The Titian List, feat. Gee Cooper (00:00:00)

2. [Ad] History Nerds United (00:24:37)

3. (Cont.) Ep. 34: The Titian List, feat. Gee Cooper (00:25:24)

52 episodi

Artwork
iconCondividi
 
Manage episode 372154889 series 3321867
Contenuto fornito da Lawrence Gianangeli. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Lawrence Gianangeli o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Send us a text

With great pleasure, I welcome Gee Cooper back to the show to discuss the afterlife of Titian. Given his proliferation and international appeal, the works of Titian and his role as court painter had a ripple effect in courts throughout Europe. Among the most important figures is Charles I of England who looked to expand the Royal Collection after a visit to Spain where he saw Titian's poesie series and was permanently changed. The Titian List is the inventory of his works by Titian until his execution and the dispersal of his collection.
Charles I wanted a Titian of his own. He employed Antony Van Dyck as his court painter, who would emulate Titian, reproduce his works, and adjust his own style to the preference of the King.
In this conversation, we cover essential aspects of the poesie series in Spain to understand the impact that it had on Charles I. We then look at two types of Imperial portraiture to determine the direct influence of Titian's work in the seventeenth-century, not merely as items in an inventory, but as a highly praised style that infiltrated courtly painting.
Instagram: italian_renaissance_podcast
Etsy: https://www.etsy.com/shop/ItalianRenShop

Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast

Support the show

  continue reading

Capitoli

1. Ep. 34: The Titian List, feat. Gee Cooper (00:00:00)

2. [Ad] History Nerds United (00:24:37)

3. (Cont.) Ep. 34: The Titian List, feat. Gee Cooper (00:25:24)

52 episodi

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