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Contenuto fornito da Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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Ep 290: “Beetlejuice Beetlejuice”

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Manage episode 439066128 series 1929460
Contenuto fornito da Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

We keep it real with Tim Burton’s “Beetlejuice Beetlejuice” and discuss:

  • Cinematography, closeups vs mediums and wides for comedy & connection;
  • Story & Writing, but/therefore storytelling, sequels honoring their predecessors, Lydia’s arc;
  • and other such stuff and things and stuff.

With movies, you are always in search of a good story, one that everyone will relate to and love. – Don Bluth

Notes & References:
Matt Stone & Trey Parker on storytelling using “Therefore / But” (YouTube) – The driving idea behind this technique isn’t to finagle the words into your outline, it’s to check and make sure that events unfold due to characters taking an action and making sure the world is reacting to the decisions that are being made. This creates a dynamic and compelling story! (It’s not the only way to tell a story of course, but a great method nonetheless.)
The Devil Wears Prada screenplay (PDF from JohnAugust.com – speak of the Big Fish devil himself!)
1st Beetlejuice end scene of Lydia dancing (YouTube) – the essence of joy distilled into a 4 minute clip – yes I’m posting it again this week because it’s effing perfect

Watch us on YouTube!


This Week’s Recommendations:

The Devil Wears Prada screenplay (PDF from JohnAugust.com)

The post Ep 290: “Beetlejuice Beetlejuice” appeared first on The Pestle.

  continue reading

297 episodi

Artwork
iconCondividi
 
Manage episode 439066128 series 1929460
Contenuto fornito da Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

We keep it real with Tim Burton’s “Beetlejuice Beetlejuice” and discuss:

  • Cinematography, closeups vs mediums and wides for comedy & connection;
  • Story & Writing, but/therefore storytelling, sequels honoring their predecessors, Lydia’s arc;
  • and other such stuff and things and stuff.

With movies, you are always in search of a good story, one that everyone will relate to and love. – Don Bluth

Notes & References:
Matt Stone & Trey Parker on storytelling using “Therefore / But” (YouTube) – The driving idea behind this technique isn’t to finagle the words into your outline, it’s to check and make sure that events unfold due to characters taking an action and making sure the world is reacting to the decisions that are being made. This creates a dynamic and compelling story! (It’s not the only way to tell a story of course, but a great method nonetheless.)
The Devil Wears Prada screenplay (PDF from JohnAugust.com – speak of the Big Fish devil himself!)
1st Beetlejuice end scene of Lydia dancing (YouTube) – the essence of joy distilled into a 4 minute clip – yes I’m posting it again this week because it’s effing perfect

Watch us on YouTube!


This Week’s Recommendations:

The Devil Wears Prada screenplay (PDF from JohnAugust.com)

The post Ep 290: “Beetlejuice Beetlejuice” appeared first on The Pestle.

  continue reading

297 episodi

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