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Ep. 79 Darrin Roberts (Editor "All Things Must Pass" Tower Documentary & "Thriller 40")

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Contenuto fornito da Bob Zimmerman. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Bob Zimmerman o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

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Darrin Roberts grew up in Southern California with a “Kevin Arnold-Wonder Years” type upbringing. After a neighbor suggested his mother take her 3 year old to a recently released “war movie”, he became obsessed with all things cinema.
After getting his degree at USC’s School of Cinematic Arts he began working on a series of music film projects as both a camera operator and a film editor.

In May of 2014 an Oscar winning producer suggested he meet with Colin Hanks and Sean Stuart regarding a documentary about the rise and fall of Tower Records, a film the two had spent several years making. As a customer of the El Toro Tower Records, it was a dream job.

On today’s episode Darrin walks us through much of his process working on “All Things Must Pass” and gives us some insights as to what made the film, what didn’t make it and why, the relationship between a film editor and a director, how much film and audio he waded through to cut the “Tower Doc” down to a tight, cohesive 95 minute film, the aftermath and the opportunities presented to him since completing that project.

We also spend a nice chunk of time talking about Darrin’s latest project “Thriller 40”, a documentary he edited with famed music critic Nelson George directing. “Thriller 40” sheds all of Michael Jackson’s personal baggage (hard to do) and focuses on the early to mid-80’s when Michael and Quincy Jones were at the top of their creative powers. An interesting through line to the film is the Grammy Awards virtual snub of “Off The Wall” and how it drove Michael Jackson to create “Thriller”. Like “All Things Must Pass”, “Thriller 40” is a tight 90 minute story that tells a fascinating behind the scenes story of a cultural zeitgeist, the likes of which we may never see again.

  continue reading

103 episodi

Artwork
iconCondividi
 
Manage episode 395678088 series 3349539
Contenuto fornito da Bob Zimmerman. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Bob Zimmerman o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.

Send us a text

Darrin Roberts grew up in Southern California with a “Kevin Arnold-Wonder Years” type upbringing. After a neighbor suggested his mother take her 3 year old to a recently released “war movie”, he became obsessed with all things cinema.
After getting his degree at USC’s School of Cinematic Arts he began working on a series of music film projects as both a camera operator and a film editor.

In May of 2014 an Oscar winning producer suggested he meet with Colin Hanks and Sean Stuart regarding a documentary about the rise and fall of Tower Records, a film the two had spent several years making. As a customer of the El Toro Tower Records, it was a dream job.

On today’s episode Darrin walks us through much of his process working on “All Things Must Pass” and gives us some insights as to what made the film, what didn’t make it and why, the relationship between a film editor and a director, how much film and audio he waded through to cut the “Tower Doc” down to a tight, cohesive 95 minute film, the aftermath and the opportunities presented to him since completing that project.

We also spend a nice chunk of time talking about Darrin’s latest project “Thriller 40”, a documentary he edited with famed music critic Nelson George directing. “Thriller 40” sheds all of Michael Jackson’s personal baggage (hard to do) and focuses on the early to mid-80’s when Michael and Quincy Jones were at the top of their creative powers. An interesting through line to the film is the Grammy Awards virtual snub of “Off The Wall” and how it drove Michael Jackson to create “Thriller”. Like “All Things Must Pass”, “Thriller 40” is a tight 90 minute story that tells a fascinating behind the scenes story of a cultural zeitgeist, the likes of which we may never see again.

  continue reading

103 episodi

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