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Contenuto fornito da Ben Model. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Ben Model o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
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ep. 32: meeting audience expectations, tips on choosing a comedy short, and a trip to Nebraska

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Manage episode 366155610 series 63198
Contenuto fornito da Ben Model. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Ben Model o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
On this episode of the podcast, I discuss meeting an audience's expectations while staying true to the film's original culture, choosing a comedy short to show newbies, and playing for a show where someone else's music credit is onscreen; also, Arthur Kleiner accompanies a Harold Lloyd short with an iPhone, 700 kids in Boise laugh at Buster Keaton, I play a MoMA premiere of a newly-discovered film from 1898; plus – news about recent and upcoming shows. Subscribe to the podcast on Apple Podcasts, Stitcher, Google Play Music, Spotify or Overcast; please consider supporting the podcast at Patreon. And, if you want to say "thanks!", why not buy me a cup of coffee? Links from the episode: You can view Something Good – Negro Kiss (1898) at the USC Hugh M. Hefner Moving Image Archive's Vimeo page. My mini-doc about USC archive director Dino Everett and 28mm film is on YouTube.Mostly Lost 8 will be held June 12-15, 2019.The Silent Clowns Film Series has monthly screenings, for free, at the NYPL at Lincoln Center.The Boise ID ABC affiliate did a news story on last year's concerts, interviewing both me and conductor Eric Garcia.If you're interested in seeing me perform live, visit my show page; or better yet. sign up for my emails so you don't miss out on gig updates and Undercrank Productions DVD news.
  continue reading

71 episodi

Artwork
iconCondividi
 
Manage episode 366155610 series 63198
Contenuto fornito da Ben Model. Tutti i contenuti dei podcast, inclusi episodi, grafica e descrizioni dei podcast, vengono caricati e forniti direttamente da Ben Model o dal partner della piattaforma podcast. Se ritieni che qualcuno stia utilizzando la tua opera protetta da copyright senza la tua autorizzazione, puoi seguire la procedura descritta qui https://it.player.fm/legal.
On this episode of the podcast, I discuss meeting an audience's expectations while staying true to the film's original culture, choosing a comedy short to show newbies, and playing for a show where someone else's music credit is onscreen; also, Arthur Kleiner accompanies a Harold Lloyd short with an iPhone, 700 kids in Boise laugh at Buster Keaton, I play a MoMA premiere of a newly-discovered film from 1898; plus – news about recent and upcoming shows. Subscribe to the podcast on Apple Podcasts, Stitcher, Google Play Music, Spotify or Overcast; please consider supporting the podcast at Patreon. And, if you want to say "thanks!", why not buy me a cup of coffee? Links from the episode: You can view Something Good – Negro Kiss (1898) at the USC Hugh M. Hefner Moving Image Archive's Vimeo page. My mini-doc about USC archive director Dino Everett and 28mm film is on YouTube.Mostly Lost 8 will be held June 12-15, 2019.The Silent Clowns Film Series has monthly screenings, for free, at the NYPL at Lincoln Center.The Boise ID ABC affiliate did a news story on last year's concerts, interviewing both me and conductor Eric Garcia.If you're interested in seeing me perform live, visit my show page; or better yet. sign up for my emails so you don't miss out on gig updates and Undercrank Productions DVD news.
  continue reading

71 episodi

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