The Texture of A Bajan’s Photojournalism©2024ISBN978-976-97267-4-1
Manage episode 407856876 series 2804225
As an Author,,Cinematographer ,Cultural Theoretician ,Doctoral Student License Cultural Practitioner, Media Arts Specialists’ and Publisher, in exploring The Texture of A Bajan’s Photojournalism. I categorised as a metaphoric and pedagogical lens. It offers a unique perspective on reality, allowing for reflection and a time for reflection. It is a static medium that allows me to see and read the present moment, a resurrection from the dead. Unlike videotape, cinema, and TV, photography which allows us to re-create this reality through reflection. All things being equal I presume that it’s logical to conclude that its immobile nature, silence, and colour make it a contemplative medium for exploring ideas of history and cultural critique on texture. This view is corroborated by https://www.jstor.org/stable/20007123. Now that I have stated my intention that is to deconstruct and conceptualize photography as my medium that allows me to explore ideas of history central to the cultural critique texture including codes of manners, dress, language, religion, rituals, art, norms, law, morality, and belief systems placing emphasis on the texture of acculturation. In my view this refers to lead to outward actions which blends with its culture and the influence of technology this view is espoused by https://barbadosenvironment.org/areas-of-interest/marine-conservation/#:~:text=. The research, conducted by yours truly a License Cultural Practitioner and Cultural Theoretician, I have utilised pedagogical and cognitive dissonance lenses to analyse the Bajan architecture, ecological landscape design, iconic cultural landmarks and meaningful experiences. This admission is reasonable to suggest that my findings would enhanced the visual quality of all of the subject's surface in capturing and framing texture with my 50mm prime lens which should significantly improved the visual quality of the objects and subject matter by enhancing shape, tone, and colour depth.
William Anderson Gittens,
Author, CEO,Cinematographer ,Cultural Theoretician ,Doctoral Student of Divinity, Editor in Chief of Devgro Media Arts Services Publishing®2015,License Cultural Practitioner, Media Arts Specialists’ and Publisher
PODCAST 182 The Texture of A Bajan’s Photojournalism©2024ISBN978-976-97267-4-1
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William
Podcast 188 Recognition Ceremony Dr.William Anderson Gittens D.D.©2024
Letter Dr. Ronal E.Frzier, Th.dCommittee Dr. of Divinity Faculty Chair
Master s International University Chair
Masters International University of Divity
Rmarks Dr. William Anderson GittensD.D.& Mrs. Magnola Gittens
Mr. Karl King
Mr. Andrew Platizky
Mr. Shurlnad Mayers
Bishop Carl Dixon & Pastor Angela Dixon
Abundant Grace & Truth Congregation Scripture Br. Carl Eijah Dixon
Prasise & Worsip Sis. Ember Dixon Solo Min. Charles Dixon
Dr.William Anderson Gittens D.D.
Sunday July 21, 2024, 10:am
Acceptance as a fellow Doctor of Divinity, D.D.,
Master's International University of Divinity
Class of 2024
Officiating Minister: Bishop Carl Dixon
Venue :Abundant Grace Truth Church,
100 Palisade Avenue,Westwood, NJ.07666
(201) 375 -0163
I wish to express gratitude to the Creator for guiding me and my late parents, Charles and Ira Gittens, for their guidance and creative expression. Thanks to those who assisted me along this journey namely my Beloved wife Magnola Gittens, my Brothers Shurland, Charles, Ricardo, Arnott, Stephen, Sisters Emerald, Marcella, Cheryl, Cousins Joy Mayers, Kevin and Ernest Mayers, Donna Archer, Avis Dyer, Jackie Clarke, Uncles Clifford, Leonard Mayers, David Bruce, and Collin Rock. My child...
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1. The Texture of A Bajan’s Photojournalism©2024ISBN978-976-97267-4-1 (00:00:00)
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